As composition, curation, and history, my work explores the concept of music as rhetorical oration through the lenses of impossible originality and unattainable authenticity . I have worked with ensembles including Stile Nu, the Nieuw Ensemble, wild Up, Ensemble Linea and Ugly Pug, and have participated in festivals including the Los Angeles Philharmonic Orchestra’s National Composers Intensive, Make Music Chicago and the Tampering Festival. In 2018 I presented debut concerts of my new baroque orchestra Stile Nu in Amsterdam, a world premiere with the symphony orchestra of the Conservatorium van Amsterdam in Amsterdam and Utrecht, and a revival of my composition for public pianos in two Chicago parks as part of Make Music Chicago.
I received my Master's degree in composition from the Conservatorium van Amsterdam in 2018, where I studied with Richard Ayres, Willem Jeths and Wim Henderickx. In 2016 I received a Bachelor of Music in composition and interdisciplinary arts from Northwestern University under the guidance of Jay Alan Yim and Hans Thomalla. In 2014 I spent a semester studying visual cultures and composition with Patricia Alessandrini at Goldsmiths College, University of London, and in 2015 I returned to the U.K. to conduct historical musicology research at the British Library, National Archives, Kew, and London Metropolitan Archives.